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EQUIPMENT

Selecting the right camera package is never universal. Each story, budget and production context require a considered setup. I work confidently with all established camera systems, while my own practice is rooted in the Fujifilm ecosystem for its color science, large format character and continuity between stills and motion. My primary tools are the Fujifilm GFX ETERNA 55 and the GFX 100s. In addition, I use the Ronin 4D for stabilized and gimbal based shots. All configurations are modular and adaptable across a wide range of shooting scenarios.

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FUJIFILM GFX ETERNA 55

Built around the largest sensor currently available in its segment, the Fujifilm GFX ETERNA 55 offers a distinctive large format image structure with extended framing flexibility. IMAX Certified, the camera supports premium cinema workflows while remaining viable within television and documentary production environments. Fujifilm’s color science, shaped by decades of film emulsion development, gives the system a recognisable and distinctly differentiated visual identity.

Fujifilm GFX Eterna 55 + Tilta rigging

Vocas MB-436 + swingaway  mattebox

O'Connor Ultimate 1040 Fluid Head + Flowtech  tripod

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Teradek Bolt 4K  video transmitter
SmallHD 702 Touch + Bolt 4K RX  monitor
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2x IDX 286Wh V-Mount  battery
5x IDX 143Wh V-Mount  battery

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2x CFexpress v4 1 TB Type B   memory
1x CFexpress B Card Reader PKT   card reader

OPTICS

I own a carefully selected set of lenses that cover a wide range of looks, from modern anamorphic to characterful vintage glass. My Blazar Mantis anamorphic primes bring cinematic scope and flexibility, while my zooms and vintage primes allow for precise control or distinctive textures depending on the project.
 

For larger productions I also work with rental houses, tailoring the lens package to the creative and technical needs of each shoot.

ANAMORPHIC

Blazar Mantis 1.33x  35mm  T2.0
Blazar Mantis 1.33x  50mm T2.0
Blazar Mantis 1.33x  75mm T2.0

VINTAGE PRIMES

Lydith 30mm  f/3.5
MIR 1B 37mm  f/2.8
Helios 44-2  58mm  f/2 
Jupiter 37A 135mm  f/3.5 

ZOOM

DZOFilm Pictor Zoom 20-55mm  T2.8

Ronin 4D

RONIN 4D

Ronin 4D has opened a new era for filmmaking. This Steadycam alternative supplies exciting new possibilities. Meet Ronin 4D, a novel, extendable solution designed to liberate cinematography. It provides creators with a more flexible and efficient camera movement system and a completely unique creative experience.

DJI Ronin 4D 4-Axis Cinema Camera 6K Combo

 

3x DJI Inspire 2 TB50 intelligent battery

DJI Pro SSD 1TB​

 

EasyRig + Serene

FULLY EQUIPPED CAMERA-DEPARTMENT TRUCK

I own a RAM 1500 Crewcab pick-up truck, standard equipped with a complete FUJIFILM GFX ETERNA 55 camera set, extensive light package, flags, butterfly and 100mm tailgate bowl for driving shots. The truck has a hood, 'American suspension' and is completely black to avoid reflections

Easyrig + Serene 

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Teradek Bolt 4K  video transmitter 
SmallHD 702 Touch + Bolt 4K RX  (onboard) monitor

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2x Aputure 300D MKII  led open face
Aputure 90" lantern
Aputure Light Dome 150 Softbox
2x Colorspike RGBWW 16bit  LED Panels
2x E27 Tungsten Chinaball  light
Butterfly half-bleached white  2x2m
2x Pushup statief  chrome
4x Matthews C-Stand  complete

1x Matthews C-Stand Mini
2x Polyboard  Z/W
1x Full diffusion frame
1x Matthews 48"x48" floppy cutter

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2x Hazer    smoke

 

©2026 Johan Dijkstra. All rights reserved.

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