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Choosing an ideal camera package is a challenge, every story, budget or production requires a different setup. I am in possession of a very complete Sony PXW FX9 set. The body and rigging are versatile, modular and therefore widely applicable.

sony fx9.webp


The FX9 has a dual native ISO. The sensor is extremely clean at 800 ISO and therefore very suitable for high-end shoots with sufficient light. 4000 ISO makes the camera extremely light sensitive and very suitable for documentary and productions with little available light. The camera can be used in 4K Super 35 (Academy standard) and 6K FULL FRAME mode.

Sony PXW FX9 + Vocas rigging

Sony GMaster 24-70mm F2.8  
Sony GMaster 70-200mm F2.8  optics

Vocas MB-436 + swingaway  mattebox

O'Connor Ultimate 1040 Fluid Head + Flowtech  tripod

Teradek Bolt 4K  video transmitter
SmallHD 702 Touch + Bolt 4K RX  monitor
VideoDevices PIX E-5  monitor / recorder

2x IDX 286Wh V-Mount  battery
3x IDX 143Wh V-Mount  battery

2x 240GB XQD G Series  memory


I own a RAM 1500 Crewcab pick-up truck, standard equipped with a complete Sony PXW FX9 camera set, extensive light package, flags, butterfly and 100mm tailgate bowl for driving shots. The truck has a hood, 'American suspension' and is completely black to avoid reflections

100mm Tailgate bowl  tailgate grip 

Teradek Bolt 4K  video transmitter 
SmallHD 702 Touch + Bolt 4K RX  (onboard) monitor

HMI 575  daylight fresnel

2x Aputure 300D MKII  led open face
Aputure 90" lantern
2x Colorspike RGBWW 16bit  LED Panels
2x E27 Tungsten Chinaball  light
Butterfly half-bleached white  2x2m
2x Pushup statief  chrome
3x Matthews C-Stand  complete

1x Matthews C-Stand Mini
2x Polyboard  Z/W
1x Full diffusion frame
1x Matthews 48"x48" floppy cutter

Hazer    smoke


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