EQUIPMENT
Selecting the right camera package is never universal. Each story, budget and production context require a considered setup. I work confidently with all established camera systems, while my own practice is rooted in the Fujifilm ecosystem for its color science, large format character and continuity between stills and motion. My primary tools are the Fujifilm GFX ETERNA 55 and the GFX 100s. In addition, I use the Ronin 4D for stabilized and gimbal based shots. All configurations are modular and adaptable across a wide range of shooting scenarios.

FUJIFILM GFX ETERNA 55
Built around the largest sensor currently available in its segment, the Fujifilm GFX ETERNA 55 offers a distinctive large format image structure with extended framing flexibility. IMAX Certified, the camera supports premium cinema workflows while remaining viable within television and documentary production environments. Fujifilm’s color science, shaped by decades of film emulsion development, gives the system a recognisable and distinctly differentiated visual identity.
Fujifilm GFX Eterna 55 + Tilta rigging
Vocas MB-436 + swingaway mattebox
O'Connor Ultimate 1040 Fluid Head + Flowtech tripod
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Teradek Bolt 4K video transmitter
SmallHD 702 Touch + Bolt 4K RX monitor
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2x IDX 286Wh V-Mount battery
5x IDX 143Wh V-Mount battery
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2x CFexpress v4 1 TB Type B memory
1x CFexpress B Card Reader PKT card reader
OPTICS
I own a carefully selected set of lenses that cover a wide range of looks, from modern anamorphic to characterful vintage glass. My Blazar Mantis anamorphic primes bring cinematic scope and flexibility, while my zooms and vintage primes allow for precise control or distinctive textures depending on the project.
For larger productions I also work with rental houses, tailoring the lens package to the creative and technical needs of each shoot.
ANAMORPHIC
Blazar Mantis 1.33x 35mm T2.0
Blazar Mantis 1.33x 50mm T2.0
Blazar Mantis 1.33x 75mm T2.0
VINTAGE PRIMES
Lydith 30mm f/3.5
MIR 1B 37mm f/2.8
Helios 44-2 58mm f/2
Jupiter 37A 135mm f/3.5
ZOOM
DZOFilm Pictor Zoom 20-55mm T2.8

RONIN 4D
Ronin 4D has opened a new era for filmmaking. This Steadycam alternative supplies exciting new possibilities. Meet Ronin 4D, a novel, extendable solution designed to liberate cinematography. It provides creators with a more flexible and efficient camera movement system and a completely unique creative experience.
DJI Ronin 4D 4-Axis Cinema Camera 6K Combo
3x DJI Inspire 2 TB50 intelligent battery
DJI Pro SSD 1TB​
EasyRig + Serene
FULLY EQUIPPED CAMERA-DEPARTMENT TRUCK
I own a RAM 1500 Crewcab pick-up truck, standard equipped with a complete FUJIFILM GFX ETERNA 55 camera set, extensive light package, flags, butterfly and 100mm tailgate bowl for driving shots. The truck has a hood, 'American suspension' and is completely black to avoid reflections
Easyrig + Serene
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Teradek Bolt 4K video transmitter
SmallHD 702 Touch + Bolt 4K RX (onboard) monitor
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2x Aputure 300D MKII led open face
Aputure 90" lantern
Aputure Light Dome 150 Softbox
2x Colorspike RGBWW 16bit LED Panels
2x E27 Tungsten Chinaball light
Butterfly half-bleached white 2x2m
2x Pushup statief chrome
4x Matthews C-Stand complete
1x Matthews C-Stand Mini
2x Polyboard Z/W
1x Full diffusion frame
1x Matthews 48"x48" floppy cutter
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2x Hazer smoke